HÂþ»­

 

European Studies Colloquium 2012 Programme

Performing Europe / European Performances

Organized by the Centre for European Studies, HÂþ»­ University

27-28 April 2012, McCain 2021

Day 1

Romantic Masculinity

Chair: (English, Western University)

  • (Theatre, HÂþ»­), “’One of Those Incomprehensible German Characters’: German Heroes, French Playwrights, and the Performance of Romantic Masculinityâ€
  • (European Studies, HÂþ»­), “Performing National Masculinity: Thomas Moore and the Voice of the Bardâ€

The Problem of History

Chair: (History, HÂþ»­)

  • (King’s), “The Trace of the Untranslatable: Emmanuel Levinas and the Ethics of Translation after the Shoahâ€
  • (European Studies, HÂþ»­), “Hans-Jürgen Syberberg and the Performance of Historyâ€

°­±ð²â²Ô´Ç³Ù±ðÌý

(University College Dublin), “From Seanchaí to Screen: The ‘Irishman’ in Irish- Language Drama and Filmâ€

Day 2

Constructing Aristocracy

Chair: (European Studies, HÂþ»­)

  • (History, HÂþ»­), “The Performance of Ducal Identities in Medieval Silesia – Charters as Media of Communicationâ€
  • Estelle Joubert (Music, HÂþ»­), “Performing Politics on the Opera Stage: Maria Antonia’s Self-Stylization as Saxon Princessâ€
  • Sally Colwell (English, Western University), “’Sexy Tudors’: Back to the Beginning and Baring It All in Showtime’s Racy (un)Costume(d) Dramaâ€

Creating European Subjects

Chair: (English, HÂþ»­)

  • Anthony J. Harding (English, University of Saskatchewan),“The London Magazine: Creating a Metro-cosmo-politan Readershipâ€
  • (English, Western University), “Performing Crisis: Europe, Romantic Psychiatry, and the Economics of Happinessâ€

The Spectacle of Modernity

Chair: (European Studies, HÂþ»­)

  • and (English, HÂþ»­), “Spectatorship in the Early Modern Periodâ€
  • (English, HÂþ»­), “R. U. ... ?: Queering Robots in Karel ÄŒapek’s
    R. U. R.
    â€

Staging Encounter

Chair: Patricia Cove

  • , “’The oak is my page, the forest, my book’: Le Brun’s Canadian Heroides “
  • , “The Theatre of War: Naval Impressment, Nation, and the Performance of Historyâ€

Journal Launch and Closing Remarks

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Call for Papers

For the second annual colloquium in European Studies, we invite proposals for papers of 20 minutes which deal with the ways that Europe is or has been performed.  Papers are welcomed from all disciplines and historical periods, from antiquity to the present. Possible topics include:

  • Performances of identity (e.g., national, inter-national, gender, sexuality, ethnicity, class)
  • Theatre and other spectacles
  • Cinema, television, new media, etc.
  • The concept of performativity in contemporary European Studies
  • Literary approaches to performance and/or performativity
  • Politics and performance
  • The theatre of the law, the law of the theatre
  • The European Theatre

It goes without saying that these are suggestions, and that we welcome all manner of proposals which engage with Europe and the way it is performed.  We will also be launching a new peer-reviewed e-journal, European Studies: History, Society and Culture, to be published by the Centre for European Studies at HÂþ»­. We are hoping to make a selection of the papers from the colloquium a significant part of the first issue of the journal, due out in early 2013.

Please send a 250-word proposal by 16 January 2012 to Julia.Wright@Dal.Ca or Jerry.White@Dal.Ca.