Posted: May 26, 2023
By:Â Allison Barss
His music is said to fill a room. His performances, a jaw-dropping, powerful combination of talent and passion, derived from the lasting strength of his culture. For Polaris Music Prize and Juno Award-winning artist, Jeremy Dutcher (BAâ13), that passion comes from a drive to preserve and carry forward a nearly extinct Indigenous language â one on which he was raised.
âIâm blessed to have been guided by many elders and knowledge-keepers in my life,â says the Aurum Award recipient. âI base so much of what I share with the world on whatâs been shared with me. Itâs about knowing yourself and giving that back to the world.â
Dutcher is a Two Spirit, Wolastoqiyik member of the Tobique First Nation in N.B. In 2013, while studying music at HÂț», he chose to combine his studies with social anthropology.
A new direction
âMoving into new academic spaces really helped guide me forward,â he says. âLearning how to play music is just one piece of the puzzle. The great part of social anthropology is the field work â the encouragement to get out there, to explore and ask questions. It showed me that so much of what was being said about my cultureâs music, wasnât being said by my culture. There needed to be a voice from within.â
He began quietly working on his debut album, Wolastoqiyik Lintuwakonawa, combining the sounds, songs and singing styles of his native language.
âI wrote it as though I had a problem to solve,â he says.
At the heart of the album â and his entire outlook on his music â is a sense of urgency, one which continues to inspire his work.
Dutcherâs album was released in 2018, receiving instant national credit including the 2018 Polaris Music Prize and the 2019 Juno Award for Indigenous Music Album of the Year, although he says he does not pin his success to the awards heâs received.
âMy greatest achievement has been getting to take the songs of my ancestors and perform them for my people, in our language,â he says. âItâs lifting our songs up to the highest level and having them received. Â Connecting people back to whatâs been taken and whatâs been lost.â
New beginnings for the next generation
With less than 100 fluent Wolastoqiyik speakers left, whoâve spoken the language from birth, Dutcher says the moment to do more is now.
For his latest project, he has teamed up with his mother, Lisa Perley-Dutcher, who has helped develop , the first Wolastoqiyik-maliseet immersion school, located in Fredericton, N.B. Like Dutcher, his mother felt compelled to do something after the loss of three Wolastoqiyik-speaking relatives in 2021.
This summer, Dutcher will tour across Canada to help raise funds for the school, sharing his music along the way. âWaiting for the government to help just isnât an option,â he says.
âWhen the support is community driven, thatâs when it will be its most successful.â
Much like the work that went into his first album, Dutcher feels inspired by the work heâs doing with the school. âTo see four-year-olds already speaking the language is really incredible âitâs creating a movement to help turn things around,â he shares. âThatâs where the hope lies. Itâs the continuation we need to see.â
Music, the healer
Growing up, Dutcher says bridging differences never felt like an impossibility. âMy mom is Indigenous, but my dad is not. If they can love each other, why canât others? Each person is unique and brings something new to the family of humanity. Itâs our responsibility to share it â to have it uncovered.â
Today, Dutcherâs music not only continues to share his culture, but his individuality. âRepresentation is so important,â he says. âWe all have a story of resilience to share, and a beautiful way to work through it. Iâm truly my authentic self â Indigenous, queer. Music is my way of translating my story to others, to say âlook how beautiful we areâ.â
He adds, âWe donât need to do great things. We just need to do things with love. Everything else will happen in between.â